Dance Studio at the Opera - Dancers Oil Painting Reproduction on Canvas
Description
Original Artist: Edgar Degas
Subject: Dancers
Style: Impressionism
Medium: 100% Hand-painted Oil Painting on Canvas
Painting Information
Dance Studio at the Opera --- 100% hand-painted Dancers Oil Painting Reproduction on Canvas of Edgar Degas's painting. It has been perfectly recreated brushstroke by our talented artist. We not only reproduce every detail of the original painting, but to capture its soul.
Edgar Degas (19 July 1834 – 27 September 1917), born Hilaire-Germain-Edgar De Gas, was a French artist famous for his work in painting, sculpture, printmaking and drawing. He is regarded as one of the founders of Impressionism although he rejected the term, and preferred to be called a realist. A superb draughtsman, he is especially identified with the subject of the dance, and over half his works depict dancers. These display his mastery in the depiction of movement, as do his racecourse subjects and female nudes. His portraits are notable for their psychological complexity and depiction of human isolation. Early in his career, his ambition was to be a history painter, a calling for which he was well prepared by his rigorous academic training and close study of classic art. In his early thirties, he changed course, and by bringing the traditional methods of a history painter to bear on contemporary subject matter, he became a classical painter of modern life.
Description
Original Artist: Edgar Degas
Subject: Dancers
Style: Impressionism
Medium: 100% Hand-painted Oil Painting on Canvas
Painting Information
Dance Studio at the Opera --- 100% hand-painted Dancers Oil Painting Reproduction on Canvas of Edgar Degas's painting. It has been perfectly recreated brushstroke by our talented artist. We not only reproduce every detail of the original painting, but to capture its soul.
Edgar Degas (19 July 1834 – 27 September 1917), born Hilaire-Germain-Edgar De Gas, was a French artist famous for his work in painting, sculpture, printmaking and drawing. He is regarded as one of the founders of Impressionism although he rejected the term, and preferred to be called a realist. A superb draughtsman, he is especially identified with the subject of the dance, and over half his works depict dancers. These display his mastery in the depiction of movement, as do his racecourse subjects and female nudes. His portraits are notable for their psychological complexity and depiction of human isolation. Early in his career, his ambition was to be a history painter, a calling for which he was well prepared by his rigorous academic training and close study of classic art. In his early thirties, he changed course, and by bringing the traditional methods of a history painter to bear on contemporary subject matter, he became a classical painter of modern life.
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